Subject List: s

Sacred Harp singers

• Adams, Burl (Citizen of the Month 1988a)

• Aderhold, Laura Beaird (Aderhold 1987)

• Aldridge, Marie Creel (Heidorn 1988)

• Aldridge, Robert (Aldridge 1988)

• Ballinger, Hamilton (Citizen of the Month 1988d)

• Beard, Kelly (Beard 1986)

• Bowen, Ezra C. (Citizen of the Month 1988c)

• Brown, Leman Bart (Leman Bart Brown 1992)

• Cagle, Maggie Denson (Osborn, Lambert, and Cagle 1988)

• Creel, Mamie (Reid) (N Parker 1986c)

• Crider, Lindsey and Bessie (N Parker 1986a)

• Crider, Preston and Aver (N Parker 1987b)

• DeLong, Doris (Cagle 1986)

• general description
  • 1945 directory of singers (GP Jackson 1945b)
  • 19th century singers (James 1904)
  • 20th century composers (Kelton 1986)
  • biographies of important singers (Traywick 1964)
  • description of lifestyle (Typical Month 1985)
  • singing families in Mississippi (TJ Richardson 1979)

• Green, William Lawrence (Green 1988)

• Harper, Tom and Annie (Citizen of the Month 1986b)

• Hicks, Jackson Wiley (Smity 1986)

• James, Joseph S. (In Memory of Col. James 1987)

• Kelley, Milburn O. (Citizen of the Month 1986a)

• Lacy, Leonard (Lacy 1986; Leonard Lacy 1993)

• Lacy, Leonard and Maxine (Bendix 1987; Brice and Petry 1984)

• McGraw, Edgar Leon (ELo McGraw 1988)

• McGraw, Hugh (H McGraw 1975)

• McGraw, Thomas Buford (H McGraw 1989)

• Owen, Curtis K. (Citizen of the Month 1988b)

• Parker, Luther (N Parker 1986b)

• Parker, Walter (WA Parker 1986; N Parker 1991)

• Phillips, George (Braswell 1988)

• Pound, E. T. (Wilcox 1976)

• Pruitt, J. T. (Sheffield 1989)

• Reeves, Mrs. Eva Mae Corley (DeLong 1987)

• Rogers, Lonnie (Rollins 1988)

• Seymour, Mae (N Parker 1987a)

• Tant, Mrs. Berta (BJ Harris 1991)

• White, D. T. (D. T. White Obituary 1988)

• Williams, Dewey President (Citizen of the Month 1987)

• Wootten family (Cobb 1995)

Sacred Harp singing

• Alabama
  • 1980 Winston County (G Harper 1980)

• and social change (Dyen 1982)

• bibliographic sources
  • 78rpm recordings (H Daniel 1971)
  • LP records of Sacred Harp (Maguire 1979)
  • resource guide (Sabol 1993-)
  • Sacred Harp discography (Page 1987)

• California (Herman 1992; Herman 1997)

• Cobb, Buell E., Jr. (Boswell 1981; Downey 1981; Dyen 1979b; DW Patterson 1979a; Pen 1994; Review of The Sacred Harp 1979; Review of The Sacred Harp 1980; Review of The Sacred Harp 1981; Scholten 1980a; Steel and Crawford 1979)

• conventions
  • 1930s description of singing (Carmer 1934)
  • centennial celebration (Edwards 1944)
  • Chattahoochee Convention (Thurman 1952)
  • definition (What Is a Singing? 1987)
  • descriptions (MWS Wilson 1925)
  • Georgia State Convention (Georgia State Convention 1988)
  • Holly Springs, Georgia (Saal and Cumming 1978)
  • Mississippi State Conventions (MS Davis 1988)
  • south Georgia (D Davidson 1934a)
  • United Convention (Lomax 1960; Lomax 1977; Strongin 1959)

• cultural geography (Steel 1988c)

• films and recordings
  • 1957 United Convention (Lomax 1960; Lomax 1977)
  • early commercial recordings (A Green 1971)
  • Leonard and Maxine Lacy (Bendix 1987; Brice and Petry 1984)
  • LP records of Sacred Harp (Maguire 1979)
  • pre-WWII 78rpm recordings (H Daniel 1971)
  • Rivers of Delight (Gordon 1979; Cobb 1979; Lowens 1979b)
  • Sacred Harp discography (Page 1987)
  • Sacred Harp in Mississippi (Stimpfle 1972)
  • Stewart's Chapel, Mississippi (Ramsey 1970)
  • traditional studio recordings (RD Edwards ca. 1967; RD Edwards ca. 1971; RD Edwards 1973; RD Edwards 1965; RD Edwards ca. 1969)

• general description
  • 1920s (GP Jackson 1926)
  • 1930s (GP Jackson 1937a; GP Jackson 1933a; GP Jackson 1933b)
  • 1960s (Cobb 1969; RD Edwards ca. 1969; RD Edwards ca. 1967; LH Spencer 1966)
  • 1970s (Abernethy 1972; Cobb 1974; Cobb 1978; RD Edwards 1973; RD Edwards ca. 1971; Misiewicz 1971; H McGraw 1975; Snyder 1976; I Wolfe 1975)
  • 1980s (Carnes 1989; DeLong 1985a; Orgill 1987)

• general secretary (WA Parker 1989)

• Georgia
  • Bethesda Church, Carroll, County, Civil War period (House 1988)

• history
  • centennial history (GP Jackson 1944a; GP Jackson 1944c)
  • compiler biographies (Where Do Compilers 1986)
  • early history (D Davidson 1944)
  • origin and evolution (Ellington 1970)
  • origins and practices (Cobb 1968)
  • public history (RD Edwards 1965)
  • relation to American culture (Bealle 1997)

• Jackson, George Pullen
  • importance to singing tradition (I Wolfe 1965)

• Mississippi
  • African American songsters (JD Boyd 1971)
  • Calhoun County (Olson 1991)
  • family tradition (TJ Richardson 1979)
  • general description (Stimpfle 1972; Steel 1996c; Tadlock 1978; JQ Wolf 1968)
  • northeast Mississippi (JQ Wolf 1970)
  • Stewart's Chapel singing (Ramsey 1970)

• musical idiom (Steel 1983)
  • alto part (Hoagland 1990; McKenzie 1989; JQ Wolf 1990)
  • as rural social institution (G Woods 1936)
  • dispersed harmony (McKenzie 1989)
  • folk festival venues (GP Jackson 1934a)
  • general description (MJ Wright 1966; MJ Wright 1959)
  • pitching (Hamrick 1986b)
  • relation to modes (Willard 1992)
  • Sacred Harp revival (Gordon 1979; Lowens 1979b; Bealle 1997; Herman 1997; MD Johnson 1996; Garber 1987)
  • traditional pedagogy (Kelton 1985; HC Mitchell 1976; Steel 1990b)
  • writing traditions (Bealle 1997)

• periodicals (Sacred Harp Journal 1987)

• personal accounts (Hoffman 1992; When It's Got You 1985)

• popular accounts
  • magazines (Baldwin 1995; Carmer 1930; Callahan 1983; D Davidson 1935; Simpich 1931)
  • music magazines (Fulling 1939; Scholten 1980b; Windham 1954; MWS Wilson 1925)
  • newspapers (Hillinger 1989)
  • regional journals (Cobb 1977; Carmer 1928; D Davidson 1934a; Lytle 1930)
  • regional writers (Carmer 1934; D Davidson 1934b; Raines 1990)

• Texas
  • description of singing (Abernethy 1972)
  • Sacred Harp traditions (Hardaway 1989)

• see Wiregrass Sacred Harp

Sacred Harp [White and King]

• 1800s revisions (Baillie 1996)

• 1859 revision (Boeringer 1968)

• 1991 revision (Bealle 1994; H McGraw 1990; Music Committee News 1989; H McGraw 1991; Pen 1994)

• anthems (McKenzie 1988)

• centennial history (GP Jackson 1944a)

• composers and arrangers (Baillie 1996)

• concordance to 1991 edition (Thorman 1992)

• dispersed harmony (McKenzie 1989)

• general history
  • 1900s (James 1904)
  • 1940s (GP Jackson 1944c; Ashton 1945)
  • 1960s (JD Anderson 1961; Reynolds 1968)
  • 1970s (Cobb 1978)
  • 1980s (Chronological History 1988; DeLong 1985b)

• Harris Co., Georgia (Barfield 1961)

• influence on dance (Bourland 1984)

• interpretations
  • saxophone settings (P Lee 1996)

• musical idiom
  • musicological analysis (Boswell 1970)
  • pitch formation (TA Smith 1988)
  • quartal harmony (Horn 1958)
  • style and composition (JR Lazenby 1972)

• relation to Southern Harmony (Price 1978)

• text analysis (Boswell 1970)

• theological content (Theology of Sacred Harp 1988)

• White, Benjamin Franklin (B. F. White Marker 1985; Reynolds 1984)

Sankey, Ira D.

• (Rothenbusch 1991; Stevenson 1950-51)

Sarbiewski, Casimire

• and English Ode (Roestvig 1954)

• relation to Watts (Arens 1963; Birrell 1956)

Schwenkfelder Church

• (Viehmeyer 1987)

Scotland

• Gaelic Psalms from Lewis (Tallmadge 1977)

• hymn tunes 1543-1677 (Frost 1953)

• musical forms
  • church organs (Boston and Langwill 1967)

• vernacular psalmody (Miller 1984)

Selby, William

• (DP McKay 1971)

Selection of Hymns [Rippon]

• (RD Roberts 1972)

Selina, Countess of Huntingdon

• (Seymour 1844; SEB Smith 1993; Tytler 1907)

• Select Collection in Sierre Leone (Saillant 1997)

set piece

• (Marrocco 1962)

Seventh-Day Baptist Church

• (David 1943)

Shakers

• Bates, Elder Issachar (DW Patterson 1962)

• films and recordings
  • early Shaker spirituals (DW Patterson 1976)

• folk music (HE Cook 1973; HE Cook 1947)

• general music (Terri 1975)

• hymn tunes (DW Patterson 1961)

• hymnody (RL Hall 1975)

• musical forms (Andrews 1940)

• Ohio (Christenson 1988)

• sacred music (Andrews 1937)

• spirituals (Lowens 1981b)
  • bearing the dead theme (DW Patterson 1968)
  • early spirituals (DW Patterson 1976)
  • general description (DW Patterson 1979b)
  • influence of inspiration and discipline (DW Patterson 1966)
  • relation to gifts (DW Patterson 1983)

• tune inventory (Christenson 1988)

shape note notation

• see pedagogy

• see solmization

• bibliographic sources
  • available tunebooks (Hickerson 1979)
  • four shape tunebooks (Stanislaw 1978a)

• evaluation
  • computer analysis (Lospinuso and Dillon 1981)
  • pedagogical experiments (Kyme 1960; O'Brien 1969)
  • pedagogical value (McGill 1968)
  • relevance for contemporary music educators (Willman 1976)
  • use in holistic education (Lewicke 1989)

• musical idiom
  • 19th century shape note hymnals (GF Thomas 1969)
  • account of "buckwheat" notes (Fulling 1939)
  • and American tradition (Hinton 1973)
  • and early American art music (Horn 1941; Horn 1942)
  • composers and arrangers (Baillie 1996)
  • comprehensive overview (GP Jackson 1933b)
  • contrapuntal style (Buechner 1969; Seeger 1940)
  • dyadic harmony (Horn 1945)
  • folksong revival account (Peppler 1982; Niles 1950)
  • general description (GP Jackson 1933a; C Lazenby 1975)
  • in bluegrass music (Gore 1993)
  • influence on composers (Hamrick 1986a)
  • influence on orchestral music (Clark 1926)
  • musical literacy in America (R Crawford 1984a)
  • part assignments (Stanislaw 1978b)
  • performance practice (Stanislaw 1976)
  • performance practices in Texas (MD Williams 1970)
  • popular accounts (Cowell 1955; Whitlock 1957)
  • promotion in Musical Million 1870-1914 (PM Hall 1970a; PM Hall 1970b)
  • relation to folk hymns (Lowens 1957b)
  • relation to singing schools (Cheek 1967)
  • secular shape-note songsters (Steel 1981)
  • shape note hymnody (Eskew 1980)
  • sources of hymns (Jansen 1955)
  • style development (Card 1982)
  • theory of solmization (Taddie 1996)
  • use in gospel singing (MO Wilson 1971)

• notation systems
  • 19th century systems (Perrin 1970; Loessel 1959)
  • and American folk music (Wilcox 1983c)
  • Andrew Law (R Crawford 1965; Crawford and Hitchcock 1961; R Crawford 1968)
  • character notation (GP Jackson 1950a)
  • earliest shape note tunebooks (Britton 1947)
  • early American (Wetzel 1967)
  • early popularity of shape notes (John 1954)
  • four shape system (Horn 1954)
  • general description (Apel 1944)
  • general music notation (Rastall 1982)
  • history and use of fasola (McNaught 1893)
  • notation in American sacred music (Marrocco 1964)
  • numerical notation (Elward 1980; Tye 1970)
  • opinions of Lowell Mason (L Mason 1860)
  • opposition to Aikin system (Gilson 1889)
  • origin accounts (JW Moore 1859)
  • phonetic notation (AF Manning 1965)
  • relation to Wyeth's Repository (Lowens 1964g)
  • systems of E. T. Pound (Wilcox 1976)
  • unorthodox notations in 19th century Georgia (Wilcox 1980)
  • unusual notation (Winslow 1938)

• printing and publishing
  • Athens Music Company [Alabama] (CK Wolfe 1995b)
  • examples (Gilson 1885)
  • publishing in Cincinnati (Hamm 1958)
  • Ruebush-Kieffer Company (PM Hall 1971)

• regional studies
  • Appalachia (J Allison 1984)
  • Kentucky (Pen 1995)
  • Mississippi (Tadlock 1978)

Shaw, Oliver

• (Thrasher 1946; Thompson 1960; T Williams 1851)

Showalter, Anthony Johnson

• (Caldwell 1907-12; JF Reed 1975)

Sierre Leone

• (Saillant 1997)

Singer's Companion [1854]

• (Tawa 1979)

singing conventions

• gospel singing
  • Alabama (Fussell 1995)
  • Cumberland County, Kentucky (KR Martin 1974)
  • Logan County, Kentucky (Beisswenger 1991)
  • National Singing Convention (Baughan 1961)
  • Rusk County, Texas (Bynum 1953)
  • south Georgia (Stanley 1982)

• Rabun County, Georgia (Tallmadge 1986)

• Royal Singing Convention [Irwin County, Georgia] 1893-1931 (KL Jackson 1972)

• Sacred Harp
  • 1945 directory (GP Jackson 1945b)
  • California (Herman 1992)
  • centennial celebration (Edwards 1944)
  • Chattahoochee Convention (Thurman 1952)
  • Georgia State Convention (Georgia State Convention 1988)
  • Mississippi State Convention (MS Davis 1988)
  • United Convention (Lomax 1960; Lomax 1977; Strongin 1959)

• urban music conventions (Stoutamire 1972)
  • 19th century Boston (GW Lucas 1844)

singing schools

• evaluation
  • 18th century American music teaching (Wolverton 1937)
  • 1927 Grove's Dictionary (Frere 1927)
  • 19th century music pedagogy (BB Blum 1969)
  • endurance in 20th century (Card 1976a)
  • firsthand accounts (JG Smith 1975)
  • relevance for contemporary music educators (Willman 1976)
  • Sacred Harp pedagogy (Kelton 1985; Steel 1990b)
  • Sacred Harp pedagogy as non-formal education (HC Mitchell 1976)
  • structure and purpose in 18th century (Britton 1989)

• history
  • 18th century America (Britton 1989)
  • backgrounds (Cheek 1964)
  • early American (JK Davis 1962; de Burgos 1930)
  • early development (Hobbs 1955)
  • German American influence 1865-1890 (Schmalz 1966)
  • in 1940 dictionary of American history (Dale 1940)
  • in American music (Gilfillan 1939)
  • New England 1760-1800 (Buechner 1960)
  • relation to shape note tradition (Cheek 1967)
  • relation to tunebooks (Lowens 1956b)
  • singing school movement in America (Britton 1961b; Schmidt 1965; Wilcox 1961)

• regional studies
  • Alabama (Kelton 1985; Syrgley 1891)
  • eastern Kentucky (Miller 1981)
  • England (Sands 1942)
  • Ephrata Cloister, New York (TL Henry 1966)
  • Kentucky (Beisswenger 1991; Beisswenger 1985; JR Graham 1971; SS Lawrence 1982)
  • Missouri (Singing School 1944)
  • New England (Buechner 1960; Cooke 1986)
  • northern U.S. (Judkins 1953)
  • Oxford, Massachusetts (Sears 1861)
  • Pennsylvania 1800-1900 (Rosewall 1969)
  • Texas (Bottoms 1972)

• religious issues
  • influence on church music (Gantt 1965)
  • relation to Great Awakening [First] (Marini 1983)
  • role in gospel singing (MO Wilson 1971)
  • role of sacred music (Horn 1976)

• teachers
  • 18th century England (Sands 1942)
  • and 18th century itinerancy (Cooke 1986)
  • Billings comments on (Billings 1780)
  • Chapin family (Hamm 1960)
  • singing teacher library 1755 (Maurer 1950a)
  • status of colonial singing teachers (Maurer 1950b)
  • teachers as character type (Singing School Master 1851)

singings

• see community singing

• see congregational singing

• see singing conventions

Social Harp [McCurry]

• (Carson 1973; Eskew 1974; DW Patterson 1973)

solmization

• see pedagogy

• see shape note notation

• 19th century America (BB Blum 1971; BB Blum 1969)

• British and American texts (Grashel 1981)

• composition and harmonic theory (Taddie 1996)

• fasola in England and America (Queen 1971)

• fixed vs. movable doh (CA Harris 1918)

• German approaches (Lange 1899-1900)

• Guido of Arezzo (Guido of Arezzo 1950)

• Lancashire sol-fa (Scholes 1943b)

• pitch notation (BB Blum 1971)

• singing schools (BB Blum 1969)

• theoretical study (Allaire 1982)

• theory of evolving tonality (Yasser 1932)

• tonic sol-fa in 19th century Britain (EL Allen 1990; Curwen 1875)

• tuning and temperament (Temperley 1974)

Sonneck Society

• (Britton 1987)

South Carolina

• Charleston
  • Eckhard, Jacob activities (R Crawford 1972)

• Spartanburg
  • general history (Landrum 1940)

South [U.S. region]

• see Southern Agrarian movement

• American theology 1795-1860 (Holifield 1978)

• contributions to American music (Jervey 1909)

• musical heritage (Wilcox 1983b)

• southern hymnology (AL Stevenson 1931)

• southern music (Steele 1916)

Southern Agrarian movement

• (Conkin 1988)

• see South [U.S. region]

Southern Harmony [Walker]

• 1854 edition (Wilcox 1987)

• and Sacred Harp (Editorial 1988)

• Benton, Kentucky, singing (Loftis 1987; Steel 1990a; W White 1987; Wilcox 1972; Wilcox 1983a)

• editions (Eskew 1986c)

• historical context (Eskew 1990)

• manuscript source for (Price 1978)

• performance practices (Card 1976b)

• pitch formation (TA Smith 1988)

• popular accounts (Singin' Billy's Book 1939)

• review of reprint edition (Steel 1989b)

• three-voice harmony (Siltman 1963)

Southern Minstrel [Jones]

• (Steel 1988b)

spirituals [African American]

• Fisk Jubilee Singers (Marsh 1877; Seroff 1990; Silveri 1988; Seward 1872)

• George Pullen Jackson on (Horn 1979; GP Jackson 1948d; GP Jackson 1950d; Tallmadge 1981; Tallmadge 1979c; Tallmadge 1979b)

• history to 1860 (Epstein 1963; Epstein 1977)

• origin theory (Downey 1979; Epstein 1983; Garst 1986; GP Jackson 1932b; GP Jackson 1943c; Maultsby 1979; Maultsby 1983a; Southern 1972)

• retention of African traits (Maultsby 1981a)

• south Georgia (DjeDje 1978)

• textual form and structure (Maultsby 1976)

• use in churches (Maultsby 1986-87; Maultsby 1992b; Maultsby 1983c; Maultsby 1984)

spirituals [camp meetings]

• see camp meetings

• see folk hymns

• camp meeting hymnody (CA Johnson 1952)

• compilation and appreciation (EJ Porter 1978)

• European analogues (D Yoder 1969)

• George Pullen Jackson on (GP Jackson 1950d)

• importance during time of European expansion (Kingman 1979a)

• old-time white camp-meeting spirituals (Asbury and Meyer 1932)

• revival spirituals 1830-1870 (Kaatrud 1977)

St. Louis Harmony [Seat]

• (Hatchett 1991)

Steel, Anne

• stylistic analysis (Arnold 1989)

Sternhold and Hopkins

• history 1549-1649 (RF Wright 1965)

• Old Version (Byard 1970)

• Sternhold, Thomas (Bennett 1885-1901)

Stone, Joseph

• (WJC Eddy 1987)

Swan, Timothy

• (Murray 1969; GB Webb 1973)

Swiss Brethren

• (Friedmann 1942; Neff 1930)

Switzerland

• Protestant Reformation (Bisgrove 1969)

• Swiss Brethren (Friedmann 1942; Neff 1930)