Subject List: w

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Wales

Gymanfa Ganu (Schultz 1984)

hymn and tune history (Luff 1990)

hymn singing (Hartford 1982)

Walker, William

(Vernon 1876)

general biography (Eskew 1964c; Eskew 1960; Wilcox 1987)

obituary (Eskew 1987)

performance practices (Card 1976b)

popular accounts (Singin' Billy's Book 1939)

publishing efforts (Eskew 1986c)

Washington, George

funeral dirges for (Murray 1978)

Watts, Isaac

bibliographic sources
- American revisions (LF Benson 1903)
- checklist of works (Rogal 1967)
- early hymn editions (LF Benson 1902a)

biography
- and Charles Wesley (TH Gill 1878; Reid 1900)
- and William Blake (Pinto 1944; Pinto 1957)
- as religious revolutionary (Bailey 1950b)
- autobiographical memoranda (Autobiographical Memoranda of Watts 1832)
- correspondence (Milner 1834; AS Pratt 1948)
- general biography (Bishop 1962a; AP Davis 1943; TH Gill 1874; Milner's Life of Watts 1833; Parkman 1834; Palmer 1919; Rupp 1957; Shave 1948; Sampson 1948; Simpson 1949; T Wright 1914b)
- gift of books to Yale (AS Pratt 1938)
- historical context (Figures 1957)
- influence by Dennis (Steese 1963)
- nonconformity (Escott 1949)
- popular works (Buckingham 1858; Bicentenary of Watts 1874; Fountain 1974; Garrison 1943; EP Hood 1875; EP Hope 1848; Higgins 1903; Homage to Watts 1927; S Johnson 1906; Portrait of Isaac Watts 1904; Peel 1948; JA Rogers 1974; WG Robinson 1948; E Routley 1948; Salzman 1920; Watts 1821; Watts 1857; Watts 1948)
- residence (MSC Hall 1859)

literary analysis
- aesthetic style (Quilter 1881)
- and Elizabeth Singer Rowe (MF Marshall 1990)
- and Emily Dickinson (J Davidson 1954; England 1965; England 1966b; Wolosky 1988)
- and Samuel Johnson (Leicester 1964)
- as uncanonized poetry (MF Marshall 1990)
- atrocity themes (Davie 1993f)
- axiomatic writing (Davie 1993e)
- Calvinistic and Deistic influences (Roth 1978)
- English in Watts' life (Rowland 1949)
- general description (BL Manning 1942b)
- heroic hymn form (Stephenson 1963)
- hymn composition (Bishop 1962c)
- hymn genre (AC Eddy 1919; Escott 1962; Patrick 1948)
- hymn revision (LF Benson 1903)
- imitation of Psalms (Hays 1947)
- imitation of Sarbiewski (Arens 1963)
- influence on Enlightenment (Hoyles 1971)
- metaphysical poetry (Birrell 1956)
- poetics (Bishop 1957; Plett 1987; Pinto 1935b; Pinto 1935a; Stevenson 1949)
- rhetoric of dissent (Witty 1959)
- rhetoric of hymns, psalms, and sermons (Wallenstein 1979)
- spaciousness (A Watson 1946)
- teleology (Davie 1993d)
- translation of Psalms (TH Gill 1876)
- tropes in Watts and Dickinson (Wolosky 1988)

popularity and influence
- American revisions (LF Benson 1903)
- early influence in America (Stevenson 1948)
- general influence (C. 1947; Parry 1948)
- influence on contemporary hymn writers (T Wright 1914a)
- influence on Mahalia Jackson (Tallmadge 1961)
- literary importance (Laird 1946)
- on education (Fay 1928)
- on English hymnody (NV Hope 1947)
- on hymnody (Cousland 1948)
- origin of hymn (Escott 1962)
- public religion (Maclear 1992)
- tunebooks 1761-1785 (R Crawford 1976d)
- use in New England Primer (WM Stone 1941)
- with African Americans (Cauthen 1995b)

related interests
- astronomy (GP Brooks 1993)
- children's verse (Shepherd 1934)
- Isaac Newton (Brompton 1949)
- pedagogy (Educational Divine 1948; Surman 1965; F Watson 1903)
- philology (Bishop 1962d; Bishop 1962b; Tucker 1959)
- sermons of (Sermons of Watts 1804)

song histories
- "When I Survey the Wondrous Cross" (Davie 1993f; Brock 1947; Herndon 1935)
- divine and moral songs (WM Stone 1918)
- hymns (Bryant 1866; HF Clarke 1874; Hymns of Isaac Watts 1833; BL Manning 1938; RT Robinson 1868)
- Psalm 50 (Kroeger 1990)
- Watts' and select hymns (Ellinwood 1969)

theological analysis
- Congregationalist theology (Escott 1948; Means 1864)
- divine and moral songs (WM Stone 1918)
- general description (Christmas 1948; Divine Watts 1925)
- influence on hymns (EA Payne 1948)
- New Testament theology (Flanigan 1948)
- public religion (Maclear 1992)
- rhetoric of dissent (Witty 1959)
- theology of man (Goetz 1991)

works
- 17th century poetry (R Hall 1963)
- early editions (LF Benson 1902a)
- Horae Lyricae (LF Benson 1902b; E Harding 1966; Steese 1963)
- Hymns and Spiritual Songs (Bishop 1974; Bishop 1962b; Birkett 1948)

Wesley, Charles

and English language (Vallins 1957)

and hymn genre (AC Eddy 1919)

and Isaac Watts (TH Gill 1878; Reid 1900)

anthology of writings (Tyson n.d.)

as Methodist (F Gill 1964)

bibliography of works (Green 1896)

Calvinistic and Deistic influences (Roth 1978)

children's verse (Shepherd 1934)

classic poetics (Davie 1952)

doctrine of atonement (Tyson 1983)

essays on (Kimbrough 1992)

evangelical themes (Rattenbury 1941)

experiential approach (Brantley 1987)

general biography (Brown 1993; Doughty 1958; Southey n.d.-b)

general study (F Baker 1962)

hymn structure (Flew 1953)

hymns and poems (Gregory 1958)

influence of William Blake (England 1966a)

influence on Baptist theology (McCommon 1948)

literary analysis (Davie 1993b)

musical sources (Adams 1973)

poetic imagery (GL Morris 1969)

reconsideration of hymnody (BL Manning 1942e)

Romanticism and (Noll 1974)

spiritual inspiration in hymns (BL Manning 1942c)

text study of (Baker 1988)

theme of assurance in hymns (Townsend 1979)

Wesley family (E Routley 1968)

writings on music and musicians (C Young 1995)

Wesley, John

and Church of England (Baker 1970)

and English language (Vallins 1957)

bibliography of works (Green 1896)

censorship (Ellinwood 1961b)

Collection of Psalms and Hymns (England 1964; Ellinwood 1961b; England 1966c)

first hymnbook (Stevenson 1950)

formative years (Kelynack 1953)

Georgia activities (England 1964)

hymn tunes (Frost 1944; Frost 1957-58)

influence on German hymnody (Nuelsen 1972)

musical sources (Adams 1973)

on religious affections (Clapper 1989)

theological biography (Schmidt 1962, 1966)

writings on music and musicians (C Young 1995)

West Gallery music

(Holman 1996; Ward 1994)

anthology (Compton 1995)

choral performance (Knights 1934)

church bands (MacDermott 1948)

conference proceedings (Colchester Institute 1997)

Cornwall (Woodhouse 1992; Woodhouse 1993)

general description (RG Woods 1995)

general history (J Bennett 1887)

personal accounts (Beresford 1935; Coombs and Coombs 1984; Ellman 1912)

popular church music 1670-1860 (Gammon 1981)

relation to church organs (Boston and Langwill 1967)

relation to Sussex fiddling (Gammon 1976)

Western Harmony [Carden]

(Crouse 1972)

Wetmore, Truman S.

(Steel 1980b; Steel 1976)

white spirituals

see folk hymns

White, Benjamin Franklin

(B. F. White Marker 1985; Reynolds 1984)

Wiregrass Sacred Harp

see Colored Sacred Harp [Jackson]

early accounts of (Work 1941)

films and recordings (Hampton 1993; Steel 1996b)

general description (Willett 1989)

oral vs. written tradition (Dyen 1979a)

relevance to community life (Dyen 1977)

Wisconsin

Commuck, Thomas (Page 1989)

Oneida Indians (O'Grady 1991)

women

dictionary of composers and hymn writers (Claghorn 1984)

feminist perspective on hymn texts (Trooien 1990)

religion in America and (Ruether and Keller 1981)

role in Primitive Baptist Church (BB Patterson 1988)

women hymnodists in Britain and America (Rogal 1980)

Woodbridge, William Channing

(Sunderman 1941d)

Woodbury, Issac B.

(Higginson 1969)

Worcester Collection of Sacred Harmony

(Kroeger 1976b; SK Rogers 1969)

Word of Mouth Chorus

(Cobb 1979; Gordon 1979; Lowens 1979b)

worship

bibliographic sources
- church music (Warrington 1912)
- hymn writers (Manwaring 1990)

history
- American tradition of church song (Lowens 1964b)
- ancient Jewish and Catholic liturgy and music (E Werner 1959)
- changes in English church music around 1800 (Thompson 1963)
- church music in America (Gould 1853; Minshall 1880)
- English worship 1690-1850 (Davies 1961)
- history of church music (Douglas 1937)
- Presbyterian Church 1753-1901 (RJ Martin 1963)

music and religious practice
- American writers on church music (Marling 1903)
- church music at the crossroads (Dakers 1970)
- church music course offerings in Alabama, Florida, and Georgia colleges (Teague 1956)
- church music in transition (Hooper 1963)
- churches as musical inspiration (ES Lorenz 1938)
- George Pullen Jackson on congregational singing (GP Jackson 1943a)
- history of Christian judgement on music (E Routley 1967a)
- local theology and singing (Felde 1989)
- music and theology (Irwin 1983a)
- music and worship (Curwen 1880-1885)
- music as auxillary to religion (Bartlett 1841)
- music in the church (Lutkin 1910)
- nonliturgical church music (Quinn 1962)
- participial hymns in Job 4-14 (Waddle 1987)
- psalm singing in Christian churches (Temperley 1986)
- relations of speech, chant, song in southern U.S. church (B Sutton 1988)
- role of music in worship (Stuart 1970)

music and spiritual experience
- hymns and faith (E Routley 1956)
- music and Christian faith (E Routley 1978)
- personal account of Sacred Harp (Hoffman 1992)
- Sacred Harp Singing (Herman 1997)
- singing with understanding (McElrath and Keith 1964)

role of musical instruments
- early organs in New England (Lahee 1897)
- general discussion (McKinnon 1965)
- New England to 1850 (DL Johnson 1953)
- organs in English parish churches (Temperley n.d.)
- role of church musician (Westermeyer 1988a)
- singing and musical instruments (Gelineau 1964)

Wright, Andrew

(Osterhout 1983)

Wyeth, John

camp meeting influences on (Hulan 1979b)

development of southern folk hymnody (Steel 1988a)

influence on southern folk hymnody (Lowens 1952b)

Repository of Sacred Music (Lowens 1964d; Lowens 1974)

Wyeth's Repository

see Repository of Sacred Music [Wyeth]