Subject List: t

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Tennessee

Bryan, Charles Faulkner (King 1965)

Caldwell, William (Music 1987)

Carden, Allen D. (Crouse 1980)

early hymnists (Music 1980a)

early musical activities (GP Jackson 1932a)

folk music (GP Jackson 1948c)

Jackson, John B. (Music 1986)

Knoxville
- music history 1791-1861 (Crews 1960)
- music history 1791-1910 (Crews 1961)
- music history 1891-1910 (Crews 1962; Crews 1965)

music publishing (Fleming 1972)

Norris Dam (Buchanan 1984; Whisnant 1983)

shape note tunebooks (Hatchett 1991; Hatchett 1995)

singing activity 1816-26 (Music 1983)

Texas

folklorists (GP Jackson 1945g)

Galveston
- Meyer manuscript tunebook (Music 1980b)

gospel music (Bynum 1953)

Sacred Harp singing (Abernethy 1972; Hardaway 1989)

shape note singing (MD Williams 1970)

singing schools (Bottoms 1972)

Transcendentalism

and American music 1835-50 (Lowens 1964e)

and national music (Chmaj 1985)

Dwight, John Sullivan (Fertig 1952)

periodical writings on music (Lowens 1957a)

Tufts, John

"Introduction to the Art of Singing Psalm-Tunes" (Lowens 1954)

as music educator (Butler 1969)

development of three-part harmony (Poladian 1951)

psalm tune collections (Stigberg 1970)

Third Edition of "Introduction to the Art of Singing Psalm-Tunes" (TM Finney 1966)

tunebooks

bibliographic sources
- American 1698-1810 (Britton, Lowens, and Crawford n.d.-a)
- American titles 1721-1820 (Metcalf 1917)
- available tunebooks (Hickerson 1979)
- compiler biographies (P Cheney 1879)
- composer biographies (Knorr 1972)
- folio from early American tunebooks (EJ Lorenz 1976)
- fuguing tunes 1770-1820 (Kroeger 1994)
- index of seven shape tunebooks (Jensen n.d.)
- repertory analysis (R Crawford 1985a; R Crawford 1984b)
- to 1810 (Britton, Lowens, and Crawford n.d.-b)
- U.S. school vocal music instruction books (John 1957)
- unlocated titles (Britton and Lowens 1953)
- use of "harmony" in titles (House 1987)
- writers and compilers (Metcalf 1925)

collections
- George Pullen Jackson collection (Revitt 1964)
- Hartzler Collection (Fouts 1968)
- Irving Lowens collection (John 1971)

compiler biographies (Steel 1987)

history
- 1712-1865 (Blair 1963b)
- 19th century (Rolfs 1967)
- American 1800-1810 (Lindsley 1968)
- American 1800-1822 (Hall 1968)
- dictionary entry (Tune Books 1928)
- early Mexican tunebooks (Spell 1929)
- eighteenth century (Lightwood 1905b)
- general description (SP Cheney 1879a)
- general history (Lowens 1956b)
- importance to hymnody (Lowens 1952c)

manuscript tunebooks
- Ketchum Tune-Book [Bloomington, Indiana] (Sluder 1977)
- Meyer manuscript [Galveston, Texas] (Music 1980b)
- Miss Elizabeth Adams' Music Book [South Carolina] (Price 1978)

musical idiom
- 1802-1860 tunebooks (TA Smith 1981)
- alto part (Hoagland 1990; McKenzie 1989; Van Camp 1975; JQ Wolf 1990)
- analysis of tunes in John Tufts and Thomas Walter collections (Stigberg 1970)
- anthems (RT Daniel 1959; RT Daniel 1955; MB Foster 1970)
- compared to vernacular architecture (Bonham 1981)
- comprehensive overview (GP Jackson 1933b)
- computer analysis (Lospinuso and Dillon 1981)
- contrapuntal style (Buechner 1969; Seeger 1940)
- dynamics (Kroeger 1986c)
- earliest shape note notation (Britton 1947)
- harmonic practices (Tallmadge 1984)
- harmonic style (Atwell 1976)
- hymn tunes 1800-1850 (Card 1957)
- influence on orchestral music (Clark 1926)
- modal tunes (Buchanan 1940)
- moods of time (Meyer 1955)
- oral vs. written tradition (Dyen 1979a)
- ornamentation 1760-1800 (Engelke 1960)
- part assignments (Stanislaw 1978b)
- quartal harmony (Horn 1958)
- rudiments of music (Kaufmann 1963)
- scoring of melody (Lindsley 1972)
- secular shape-note songsters (Steel 1981)
- set piece (Marrocco 1962)
- slurs and ties (Kroeger 1986d)
- theoretical introductions 1800-1860 (Perrin 1968)
- theoretical introductions to 1800 (Britton 1949)
- Tufts' three-part harmony (Poladian 1951)
- tune detection (Horn 1960)
- word painting (Kroeger 1988b)

performance practice
- 1761-1785 (R Crawford 1976d)
- 1800-1860 (TA Smith 1983)
- in four shape literature (Stanislaw 1976)
- rudiments of music (Kaufmann 1963)
- structural similarity to orchestral music (Bonham 1981)

poetic idiom
- poetry of Pope in (Carr 1967)
- word painting (Kroeger 1988b)

printing and publishing
- early American (Crawford and Krummel 1983)
- errors in facsimile editions (Kroeger 1988a)

recordings
- 1770-1840 psalmody (R Crawford 1978a)
- federal era music (R Crawford 1978b)
- New England tunebooks (Buechner 1964)
- revolutionary era music (R Crawford 1976b)
- shape note idiom (Cobb 1979)
- south Georgia (Coelho 1979)

study methodology
- tune analysis (Horn 1960)